Zoya: 'People abuse me but tell me to remake ZNMD'
Zoya Akhtar Responds to Criticism on Her Films Depicting Affluent Lives
Renowned filmmaker Zoya Akhtar has finally addressed the recurring criticism that her films largely revolve around the lives of the privileged elite. In a recent conversation, she was questioned about the perception that movies like Zindagi Na Milegi Dobara and Dil Dhadakne Do feel distant from the realities of the common audience. Her response, however, was both witty and insightful.
The Double Standards of Criticism
Zoya pointed out an interesting irony—many of the same people who accuse her of catering only to the wealthy are the ones who eagerly demand a sequel to Zindagi Na Milegi Dobara. This, she argued, highlights how her films resonate with audiences beyond just the affluent class. If her stories were truly disconnected from reality, they wouldn’t generate such widespread love and anticipation for follow-ups.
Storytelling Beyond Social Class
The filmmaker also emphasized that cinema is an art form, and storytelling is not bound by financial or social status. Just as many filmmakers explore the struggles of the underprivileged, she chooses to tell stories within the milieu she understands best. Her characters, though wealthy, face emotional and existential struggles that many viewers relate to, irrespective of their backgrounds.
A Larger Conversation on Representation in Cinema
Zoya’s response brings forth a larger discussion on how Indian cinema represents different social strata. While some believe that Bollywood should focus more on middle-class or grassroots stories, others argue that there is space for diverse narratives. After all, cinema is meant to entertain, inspire, and provoke thought—regardless of the world it portrays.
As fans continue to enjoy her films, it remains clear that Zoya Akhtar’s storytelling has a universal appeal that transcends social and economic barriers. Whether or not a Zindagi Na Milegi Dobara sequel happens, audiences will certainly keep looking forward to her next cinematic masterpiece.
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